![]() The older f1.4 was always a great lens, so when the f2 was released people wondered if it could really top it. This Fuji 35mm f2 review will explain why it’s a must-have lens in your kit bag ![]() And, for about $200, it's as affordable a lens as you're going to get, and worthy of our Editors' Choice.This article contains links to products or services we love and that we may make a small commission from. But if you're buying an X-A7, X-T200, or X-T30, the XC 35mm is a more natural fit. There are reasons why you'd want to get the XF 35mm F2 instead-it's a better choice for weather-protected models like the X-T4, and you'll miss having an aperture ring if you use an X-Pro3. The 35mm is the natural substitute, and the XC 35mm F2 is as sharp a value as it is an optic. The comfortable angle of view, bright aperture, and typical low asking price are the obvious reasons.Ī 50mm is a little tight on the smaller sensor format used by Fujifilm's cameras, though, especially if you're snapping photos indoors. FUJIFILM 35MM ISONifty Thirty Five Fujifilm X-T200, f/2.8, 1/3,000-second, ISO 200įull-frame owners often point to a Nifty Fifty lens-typically an inexpensive 50mm f/1.8-as the first one to get to supplement a basic zoom. You needn't fret about distortion-there's none-nor worry about a heavy vignette. The weakest resolution is at f/16, but images are still in the good range (2,440 lines). It hits 2,900 lines, close to outstanding, at f/8, and drops off just a little bit at f/11 (2,775 lines). ![]() See How We Test Lenses See How We Test Lenses It's a lens that, on today's cameras, delivers nearly as much resolution wide open as it does when stopped down, notching an excellent 2,735 lines at f/2 and settling in at a slightly better 2,800 at smaller f-stops. FUJIFILM 35MM SOFTWAREI tested the XC 35mm along with the 24MP X-T200 and software from Imatest to evaluate its optical quality. The XC 35mm might not be as sturdily built as the XF 35mm, but the two share the same optical formula. When focused as close as possible, the lens offers just 1:7.1 magnification, so you don't want to use it for close-up shots of insects or flower petals. There's also no optical stabilization, so it's not a good fit for handheld recording.įocus is available as close as 13.8 inches (0.35m), so don't expect macro shots. This effect, called focus breathing, is definitely distracting. There's also a noticeable change in the angle of view when setting focus. Fujifilm X-T200, f/2, 1/750-second, ISO 200Īutofocus is speedy, but there is some noise, a concern if you're using it for video. I wouldn't fret about the mount, as modern plastics are sturdy and it's light enough to not put any stress on the mount. ![]() The lens drops some of the features found in the XF 35mm-weather protection and an aperture control ring-and also uses a plastic mount instead of the metal in the XF series. When you shoot it wide open at f/2, you'll be able to blur out backgrounds and isolate your subject, and you can narrow the iris to get more of a scene in focus when you want to. So think a little bit less than wide angle, but definitely not telephoto. If you're a youngster, its angle of view is like the 2x lens on a smartphone. It's a good choice for everyday photography-if you're old enough, you may remember a 50mm being your lens for a film SLR. That gives the XC 35mm a standard angle of view, about the same as a 50mm lens nets on a full-frame sensor. The lens works with X-mount cameras from Fujifilm, all of which use the APS-C sensor size. ![]()
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